Cally Annoyance Point

From Bastille Day, in reference to biting off Mason's ear on the Astral Queen, "He's lucky that's all I bit off."

From IMDB.com: "The character of Cally was supposed to be killed off in the original drafts of this script, but David Eick decided he wanted her to fight back during the rape scene rather than be killed off."

Frack.

“I didn’t know we were picking sides”

33, Water and Bastille Day

33 and Water always have been my absolute favourite episodes. That may change on second viewing of seasons 4 and 4.5 (Oh, the tension! Oh, the dramatic reveals! Oh, the sweet high definition!), but I think for now I am safe to say that these episodes hold a place in my heart as the hook that grabbed me into the BSG universe.

Yes, that’s right, 33 and Water were the hooks. Yes, the Mini-Series is excellent, yes, it grabs you hard and doesn't let go, but 33 and Water, sweet Water; they just squeeze...

Let’s compare. The Mini-Series is given the freedom of introducing you quickly (well, as quickly as a three hour long pilot needs to be forced) to a lot of characters and giving them tiny, teasing back-stories that you know may or may not be fleshed out later. It has to tell a lot of story in a limited time frame, and not just the event as it happens, but a brief history of this universe needs to be told for context. The Mini-Series is given the liberty of using dramatic effect to draw you in, just as much as it uses the story and characters. There is drama, suspense, action, excitement, story, and character, but the character part, by fault of the amount of story being crammed into three hours, is the part that slacks, if any part can be considered lacking. But BSG is a character-driven show, so 33 and Water are when you really start to fall in love.

The reveal of Sharon as a Cylon at the end of the Mini-Series is drawn out to perfection in Water, especially in relation to Head Six's comment about sleeper agents not even knowing they are Cylons, and yet acting out programming. Grace Park's performance as Boomer is phenomenal, and this is just the tip of the iceberg. Boomer's character arc's consistency is what makes her one of my favourite characters in the show. I especially loved her tension in the Raptor when she and Crashdown find water - the twitch of her thumb on the detonator speaks volumes about her internal conflict of human/Cylon loyalties.

The story with Sharon and Helo on Caprica brings a different depth to both iterations of Boomer. Knowing that this Sharon is a Cylon and knowing that she knows that she is Cylon but is playing at being Boomer, and that Helo doesn't know that she is a Cylon or even that Cylons look like people (did you follow all that?) is dramatic irony at its finest. But the questions of her plans and motives are tantalizingly unknown, plus it leads us to wonder if Sharon on Galactica will act with the same assurance in her true identity as her counterpart does. Or, conversely, if Sharon on Caprica will have the same conflicting loyalties that Boomer has shown on Galactica.

(I must interject here to say that I am a huge fan of Tamoh Penikett’s Helo, and have been right from the start. Apparently the writers wanted to drop his storyline, with the implication that he died on Caprica, but viewers wanted to know what happened to him. Phew!)

Jeff has never been Starbuck’s biggest fan, much to my chagrin, because I have always found her deep and fascinating, not to mention a wonderful exercise in opposites – strong and yet adolescent, self-assured and yet fearful, beautiful and yet masculine. Now, knowing her entire storyline (just a tease, no real spoilers…) Jeff is feeling more like he can appreciate her character – flaws, irritations and all. I love the scenes when she and Lee approach the Olympic Carrier. She is delighted to send a warning shot across their bow, but balks with horror at actually shooting the ship down. But when push comes to shove, she is an officer, and obedient to her superior officers, and to the Old Man.

Bastille Day has never been my favourite episode; while I acknowledge the weight and importance of Tom Zarek to the arc of the series, it doesn’t mean I have to like him! It was interesting to note the reactions of those who had not seen the show; they thought Bastille Day was the best of the night. I can concede its importance to furthering the show’s deep and involved storyline. It introduces a number of ethical questions, and speaks to some realistic challenges that the fleet is going to face. They do need elections, they are a society, and they do need consistent and responsible politics. Not to mention the questions of food and water for 50,000 people. I think as a long-time fan of BSG I had taken for granted that the show asks the hard questions, and it was refreshing to be reminded that it is rare programming that isn’t afraid to challenge itself again and again.

I also really love the quiet and emotional introductions of the Memorial Hallway, and of President Roslin’s borderline obsession with updating the population count, both being constant touchstones of life in the fleet.

Overall, a gripping start!

Toaster Ratings:

33:

Water:

Bastille Day: